![]() ![]() I wanted to get that across in the narrative. Time LordĪ large part of the rationale behind the concept is that the Doctor is a Time Lord, not a Space Lord. ![]() So I went ahead and did something outside of those boundaries. Sometimes holding on to this can stifle creativity, as there's nowhere else left to go. I know that the show has a long tradition, especially when it comes to the title sequence. Steven Moffat calls it a radical change in direction. In terms of the concept, it seemed to me that the Steampunk aesthetic really resonated with the way the show was progressing and I wanted to hint at that with the creative approach. It could be used to provide the stills for the concept story board, and would be a good reference point for the VFX team. Even though it wasn’t going to be used in the actual show, the build was BBC Wales VFX’s responsibility. Sometimes holding on to this can stifle creativityĪ post-production meeting followed and, armed with a new brief, I decided to build a completely new sequence based around the original YouTube posting. Like I had to give that one much thought! I know that the show has a long tradition, especially when it comes to the title sequence. The reply came back: both he and Steven Moffat loved my sequence, and wondered if I could help them out with the new titles for series 8. It seemed to check out though, so I sent a message asking if there was anything I could help him with. My first thoughts were that it was a wind-up, someone playing a prank on me. Not as amazed as I was when I received a Linkedin request from Brian Minchin. Radio Times picked up on it, asking if the BBC could top it. The hit rate on the video was incredible, far exceeding my expectations. I did have a few ideas that hadn’t been done before, and it was the kind of show that you could really let your imagination run free on. My partner had suggested I do a Doctor Who intro, and it seemed like a good plan. Title sequences have always been my passion, and the area of the industry I wanted to crack. It was really done as a portfolio piece, to showcase my skills to potential clients. It began in September 2013, when I uploaded my ‘original concept Peter Capaldi intro’ onto YouTube (see below).
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